Datoteka:Capturing Damiate.jpg
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Sažetak
| Cornelis Claesz van Wieringen: The capture of Damietta
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| Umjetnik/stvaratelj |
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| Naziv |
The capture of Damietta label QS:Lnl,"De verovering van Damiate" |
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| Vrsta |
slika |
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| Žanr |
history painting |
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| Opis |
Nederlands: De verovering van Damiate. Dit schilderij werd gemaakt voor boven de schoorsteenmantel van de krijgsraadkamer in het gebouw van de Haarlemse Cluveniers (schutters).
English: The Conquest of Damiate. This painting was made for above the mantelpiece of the court-martial room in the building of the Haarlem Cluveniers (gunmen). |
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| Datum |
približno |
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| Medij |
ulje na platnu medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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| Dimenzije |
visina: 101 cm dimensions QS:P2048,+101U174728 dimensions QS:P2049,+230U174728 |
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| Dio umjetničke zbirke |
institution QS:P195,Q574961 |
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| Inventarni broj |
os I-355 (Frans Hals Museum) |
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| Povijest izlaganja | |||||||||||||||||||||||||||||
| Referencija | |||||||||||||||||||||||||||||
| Izvor/fotograf |
Web Gallery of Art: wga QS:P11807,"w/wieringe/damiate" |
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| Ostale inačice |
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Licencija
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Ovo je vjerna fotografska reprodukcija dvodimenzionalnog umjetničkog djela koje je u javnom vlasništvu. Samo umjetničko djelo u javnom je vlasništvu zbog sljedećeg razloga:
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Opisi
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motiv
image/jpeg
checksum engleski
cec169af29b1c23e2897a15c8650f6089ce959cb
data size engleski
158 448 Bajt
614 točka
1458 točka
Povijest datoteke
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| Datum/Vrijeme | Minijatura | Dimenzije | Suradnik | Komentar | |
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| sadašnja | 15:23, 11. srpnja 2008. | 1.458 × 614 (155 KB) | Mcke | version with higher resolution |
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Metapodatci
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| JPEG komentar datoteke | WIERINGEN, Cornelis Claesz van
(b. ca. 1580, Haarlem, d. 1633, Haarlem) Capture of Damiate c. 1625 Oil on canvas, 101 x 230 cm Frans Halsmuseum, Haarlem Wieringen was probably the pupil of Hendrick Cornelisz Vroom (the founder of European marine painting); he ranks as his best and closest follower. Wieringen's multicoloured paintings are more ornamental, his waves and whitecaps more schematic than Vroom's, and his skies (apart from those in his graphics) are little more than decorative backdrops. The Capture of Damiate was commissioned by Haarlem's St Hadrian Civic Guard, and it was originally mounted as an overmantel in the company's headquarters (a few years afterwards officers of the company commissioned Frans Hals to paint their group portrait). The painting represent a pseudo-historical event. According to tradition late twelfth-century crusaders en route to the Holy Land tried to capture Damiate, a port city at the mouth of the Nile which had its harbour protected by a heavy chain stretched across it from two moles. The chain was cut, according to the legend, when a ship from Haarlem ingeniously fitted with a specially designed saw-toothed prow and keel sailed across it. After this feat and a fierce battle the port fell to the crusaders. The tale exemplified the audacity and courage of early Haarlemmers, and by association, redounded to the glory of citizens of the city. By the sixteenth century the fable had acquired a mythic dimension for Haarlem's patriots. The appetite for it was satisfied by later printmakers and painters. Vroom and other artists also made drawings to stain glass windows of the subject, and Wieringen designed a huge tapestry depicting the legendary event for Haarlem's Town Hall which is still mounted there.
Author: WIERINGEN, Cornelis Claesz van Title: Capture of Damiate Time-line: 1601-1650 School: Dutch Form: painting Type: historical |
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