Datoteka:Tomb of Sultan Mahmud of Ghazni in 1839-40.jpg

Izvor: Hrvatska internetska enciklopedija
Skoči na:orijentacija, traži

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Opis

Mosque and Tomb of the Emperor Soolta Mahmood of Ghuznee

This lithograph is taken from plate 10 of 'Afghaunistan' by Lietenant James Rattray.

The area around the tomb of Mahmud of Ghazni (998-1030) Rattray thought to be one of the most pleasing spots in Afghanistan.

The tomb was entered via a spacious courtyard, watered by a clear stream. Visitors would pass through covered passages to a garden framed by mulberry, plum, pear, peach, apricot, cherry and rose trees. Their blossoms hung over exquisitely carved marble tombs, including Mahmud's. This was a place of pilgrimage, decorated with flowers and peacock feathers: Afghan symbols of royalty.

The folding doors shown were reputed to be the famous Sandalwood Doors, carried off in 1026 by Mahmud after his destruction of the Somnath Temple in Gujarat, during the last of his devastatingly successful forays in India. The British removed them from the tomb in 1842, laboriously transporting them to Agra Fort, where they were found to be replicas of the original.
Datum približno 1839.
date QS:P,+1839-00-00T00:00:00Z/9,P1480,Q5727902
Izvor The British Library
Autor Lieutenant James Rattray
Dopuštenje
(Naknadna uporaba ove datoteke)
Public domain

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Public domain

Ovo je djelo u javnom vlasništvu u zemlji podrijetla i u drugim zemljama s rokom trajanja autorskih prava za života autora plus 70 godina ili manje.

Morate dodati i oznaku javnog vlasništva za Sjedinjene Američke Države da bi se naznačilo zašto je ovo djelo u javnom vlasništvu u Sjedinjenim Američkim Državama.
 Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Honduras has a general copyright term of 75 years, but it does implement the rule of the shorter term. Copyright may extend on works created by French who died for France in World War II (more information), Russians who served in the Eastern Front of World War II (known as the Great Patriotic War in Russia) and posthumously rehabilitated victims of Soviet repressions (more information).
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