<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="hr">
	<id>https://croatianschoolsydney.com/index.php?action=history&amp;feed=atom&amp;title=Kintsugi</id>
	<title>Kintsugi - Povijest promjena</title>
	<link rel="self" type="application/atom+xml" href="https://croatianschoolsydney.com/index.php?action=history&amp;feed=atom&amp;title=Kintsugi"/>
	<link rel="alternate" type="text/html" href="https://croatianschoolsydney.com/index.php?title=Kintsugi&amp;action=history"/>
	<updated>2026-05-22T21:45:59Z</updated>
	<subtitle>Povijest promjena ove stranice na wikiju</subtitle>
	<generator>MediaWiki 1.36.2</generator>
	<entry>
		<id>https://croatianschoolsydney.com/index.php?title=Kintsugi&amp;diff=492759&amp;oldid=prev</id>
		<title>WikiSysop: file-&gt;datoteka</title>
		<link rel="alternate" type="text/html" href="https://croatianschoolsydney.com/index.php?title=Kintsugi&amp;diff=492759&amp;oldid=prev"/>
		<updated>2022-04-29T21:03:36Z</updated>

		<summary type="html">&lt;p&gt;file-&amp;gt;datoteka&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;hr&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;←Starija inačica&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Inačica od 21:03, 29. travnja 2022.&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Redak 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Redak 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;!--'''Kintsugi'''--&amp;gt;[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;File&lt;/del&gt;:Tea bowl, Korea, Joseon dynasty, 16th century AD, Mishima-hakeme type, buncheong ware, stoneware with white engobe and translucent, greenish-gray glaze, gold lacquer - Ethnological Museum, Berlin - DSC02061.JPG|thumb|Poravak na čajnoj posudi Mishima,  ''kintsugi'' zlatni lak, 16t. stoljeće,etnološki muzej Berlin]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;!--'''Kintsugi'''--&amp;gt;[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Datoteka&lt;/ins&gt;:Tea bowl, Korea, Joseon dynasty, 16th century AD, Mishima-hakeme type, buncheong ware, stoneware with white engobe and translucent, greenish-gray glaze, gold lacquer - Ethnological Museum, Berlin - DSC02061.JPG|thumb|Poravak na čajnoj posudi Mishima,  ''kintsugi'' zlatni lak, 16t. stoljeće,etnološki muzej Berlin]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;File&lt;/del&gt;:Dish with hollyhock design, Nabeshima ware, Edo period, 18th century, overglaze enamel - Tokyo National Museum - DSC06022.JPG|thumb|Malena  reparatura na Nageshima tanjuriću, 18. stoljeće, [[Edo period]] ([[Tokyo National Museum]])|alt=]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Datoteka&lt;/ins&gt;:Dish with hollyhock design, Nabeshima ware, Edo period, 18th century, overglaze enamel - Tokyo National Museum - DSC06022.JPG|thumb|Malena  reparatura na Nageshima tanjuriću, 18. stoljeće, [[Edo period]] ([[Tokyo National Museum]])|alt=]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;File&lt;/del&gt;:Kintsugi.jpg|thumb|seoska posuda za kuhanje popravljena Kintsugi tehnikom]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Datoteka&lt;/ins&gt;:Kintsugi.jpg|thumb|seoska posuda za kuhanje popravljena Kintsugi tehnikom]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Kintsugi''', poznat i kao popravak zlatom ,&amp;lt;ref&amp;gt;{{Citiranje weba|url=http://www.definition-of.com/kintsugi|title=definition of Kintsugi|last=|first=|date=|website=|publisher=|access-date=}}&amp;lt;/ref&amp;gt; jest [[japan]]sko umijeće popravljanja polomljene [[Keramika|keramike]] pomoću japanskog [[lak]]a pomiješanog sa [[Zlato|zlatnim]] prahom.&amp;lt;ref name=&amp;quot;smashing&amp;quot;&amp;gt;{{Citation | first = Blake | last = Gopnik | url = https://www.washingtonpost.com/wp-dyn/content/article/2009/03/02/AR2009030202723.html | title = At Freer, Aesthetic Is Simply Smashing | newspaper = The [[Washington Post]] | date = March 3, 2009}}.&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;seams&amp;quot;&amp;gt;{{Citation | publisher = Smithsonian | contribution-url = http://www.asia.si.edu/exhibitions/current/GoldenSeams.htm# | contribution = Golden Seams: The Japanese Art of Mending Ceramics | title = Freer Gallery of Art | accessdate = 3 March 2009|archiveurl=https://web.archive.org/web/20090317021839/http://www.asia.si.edu/exhibitions/current/GoldenSeams.htm|archivedate=2009-03-17| title-link = Freer Gallery of Art }}.&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Citiranje weba|url = http://kotobank.jp/word/%E9%87%91%E7%B6%99%E3%81%8E|title = Daijisen}}&amp;lt;/ref&amp;gt; Za  razliku od u u Europi prisutnih  praksi koje teže  sakrivanju ovog  dijela  povijesti  nekog  predmeta ovaj ga  japanski postupak  pretvara u kreativni čin kojim objekt opet  može  ispunjavati svoju prije oštećenja definiranu funkciju.&amp;lt;ref&amp;gt;{{Cite news|url=http://mymodernmet.com/kintsugi-kintsukuroi/|title=Kintsugi: The Centuries-Old Art of Repairing Broken Pottery with Gold|date=2017-04-25|work=My Modern Met|access-date=2017-07-12|language=en-US}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Kintsugi''', poznat i kao popravak zlatom ,&amp;lt;ref&amp;gt;{{Citiranje weba|url=http://www.definition-of.com/kintsugi|title=definition of Kintsugi|last=|first=|date=|website=|publisher=|access-date=}}&amp;lt;/ref&amp;gt; jest [[japan]]sko umijeće popravljanja polomljene [[Keramika|keramike]] pomoću japanskog [[lak]]a pomiješanog sa [[Zlato|zlatnim]] prahom.&amp;lt;ref name=&amp;quot;smashing&amp;quot;&amp;gt;{{Citation | first = Blake | last = Gopnik | url = https://www.washingtonpost.com/wp-dyn/content/article/2009/03/02/AR2009030202723.html | title = At Freer, Aesthetic Is Simply Smashing | newspaper = The [[Washington Post]] | date = March 3, 2009}}.&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;seams&amp;quot;&amp;gt;{{Citation | publisher = Smithsonian | contribution-url = http://www.asia.si.edu/exhibitions/current/GoldenSeams.htm# | contribution = Golden Seams: The Japanese Art of Mending Ceramics | title = Freer Gallery of Art | accessdate = 3 March 2009|archiveurl=https://web.archive.org/web/20090317021839/http://www.asia.si.edu/exhibitions/current/GoldenSeams.htm|archivedate=2009-03-17| title-link = Freer Gallery of Art }}.&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Citiranje weba|url = http://kotobank.jp/word/%E9%87%91%E7%B6%99%E3%81%8E|title = Daijisen}}&amp;lt;/ref&amp;gt; Za  razliku od u u Europi prisutnih  praksi koje teže  sakrivanju ovog  dijela  povijesti  nekog  predmeta ovaj ga  japanski postupak  pretvara u kreativni čin kojim objekt opet  može  ispunjavati svoju prije oštećenja definiranu funkciju.&amp;lt;ref&amp;gt;{{Cite news|url=http://mymodernmet.com/kintsugi-kintsukuroi/|title=Kintsugi: The Centuries-Old Art of Repairing Broken Pottery with Gold|date=2017-04-25|work=My Modern Met|access-date=2017-07-12|language=en-US}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l20&quot;&gt;Redak 20:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Redak 20:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* treći,  gdje  se  umjesto nedostajućih dijelova koriste slično ali ne  egzaktno jednako oblikovane zakrpe&amp;lt;ref&amp;gt;{{Citiranje weba|url = http://matome.naver.jp/odai/2136989780569618901|title = Gold joint (mending gold) What is it?|accessdate = 2014-04-02|date = 2013-05-04|language = Japanese}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* treći,  gdje  se  umjesto nedostajućih dijelova koriste slično ali ne  egzaktno jednako oblikovane zakrpe&amp;lt;ref&amp;gt;{{Citiranje weba|url = http://matome.naver.jp/odai/2136989780569618901|title = Gold joint (mending gold) What is it?|accessdate = 2014-04-02|date = 2013-05-04|language = Japanese}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Srodne tehnike ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Srodne tehnike ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;File&lt;/del&gt;:Staple repairs.jpg|thumb|Nankinška košarica,oko 1750, spajanje  metalnim kopčama]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Datoteka&lt;/ins&gt;:Staple repairs.jpg|thumb|Nankinška košarica,oko 1750, spajanje  metalnim kopčama]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Spajanje metalnim kopčama srodna je i slična tehnika korištena za popravak polomljenih keramičkih predmeta ,&amp;lt;ref&amp;gt;{{Citiranje weba|url = https://www.nytimes.com/2013/01/18/arts/design/repaired-china-the-potter-john-bennett-schoolgirl-rugs.html|title = It's as Good as Glue: Mending Shattered China|accessdate = 2014-04-05|last = Kahn|first = Eve|date = January 17, 2013|publisher = New York Times}}&amp;lt;/ref&amp;gt; ,male se  rupe  izbuše u  predmetu te  se  kroz iste  provedu  metalne kopče koje drže  dijelove predmeta  skupa.&amp;lt;ref name=&amp;quot;:0&amp;quot;&amp;gt;{{Citiranje časopisa|title = Stapled Repairs on Chine; Confessions of a curious collector|date = February 2012|url = https://www.antiquesjournal.com/flipbooks/neajfeb12/index.html|publisher = Antiques Journal|accessdate = 2014-04-05|pages = 37–40}}&amp;lt;/ref&amp;gt; Ovaj je  način  spajanja korišten već u  drevnoj  Grčkoj,Engleskoj,Rusiji,te Kini i brojnim  drugim zemljamaS.&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Spajanje metalnim kopčama srodna je i slična tehnika korištena za popravak polomljenih keramičkih predmeta ,&amp;lt;ref&amp;gt;{{Citiranje weba|url = https://www.nytimes.com/2013/01/18/arts/design/repaired-china-the-potter-john-bennett-schoolgirl-rugs.html|title = It's as Good as Glue: Mending Shattered China|accessdate = 2014-04-05|last = Kahn|first = Eve|date = January 17, 2013|publisher = New York Times}}&amp;lt;/ref&amp;gt; ,male se  rupe  izbuše u  predmetu te  se  kroz iste  provedu  metalne kopče koje drže  dijelove predmeta  skupa.&amp;lt;ref name=&amp;quot;:0&amp;quot;&amp;gt;{{Citiranje časopisa|title = Stapled Repairs on Chine; Confessions of a curious collector|date = February 2012|url = https://www.antiquesjournal.com/flipbooks/neajfeb12/index.html|publisher = Antiques Journal|accessdate = 2014-04-05|pages = 37–40}}&amp;lt;/ref&amp;gt; Ovaj je  način  spajanja korišten već u  drevnoj  Grčkoj,Engleskoj,Rusiji,te Kini i brojnim  drugim zemljamaS.&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>WikiSysop</name></author>
	</entry>
	<entry>
		<id>https://croatianschoolsydney.com/index.php?title=Kintsugi&amp;diff=347843&amp;oldid=prev</id>
		<title>WikiSysop: Bot: Automatska zamjena teksta  (-{{Cite journal +{{Citiranje časopisa)</title>
		<link rel="alternate" type="text/html" href="https://croatianschoolsydney.com/index.php?title=Kintsugi&amp;diff=347843&amp;oldid=prev"/>
		<updated>2021-11-26T02:51:52Z</updated>

		<summary type="html">&lt;p&gt;Bot: Automatska zamjena teksta  (-{{Cite journal +{{Citiranje časopisa)&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;hr&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;←Starija inačica&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Inačica od 02:51, 26. studenoga 2021.&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot;&gt;Redak 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Redak 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filozofija iza tehnike ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filozofija iza tehnike ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Tehnika definitivno u sebe  uključuje elemente japanske wabi-sabi filozofije prihvaćanja grešaka i nesavršenosti.&amp;lt;ref&amp;gt;{{Citiranje weba|url=http://makezine.com/2015/08/17/kintsugi-japanese-art-recognizing-beauty-broken-things/|title=Kintsugi Is Recognizing Beauty in Broken Things {{!}} Make|date=2015-08-17|website=Make: DIY Projects and Ideas for Makers|access-date=2017-07-12}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;:2&amp;quot;&amp;gt;{{Citiranje weba|url = https://www.nytimes.com/2010/12/16/garden/16makedo.html?pagewanted=all&amp;amp;_r=0|title = In Make-Do Objects, Collectors Find Beauty Beyond Repair|publisher = [[New York Times]]|date = December 15, 2010|accessdate = 2014-04-05|first = Lippke|last = Andrea Codrington}}&amp;lt;/ref&amp;gt; Japanska estetika prihvaća sve znakove trošenja i uporabe nekog predmeta. Za njih lomljenje nekog predmeta ne označava i definitivan kraj njegove bilo funkcionalne bilo estetske opstojnosti i smislenosti .&amp;lt;ref&amp;gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Cite journal&lt;/del&gt;|title = Exploring Japanese Art and Aesthetic as inspiration for emotionally durable design|url = http://www.designedasia.com/2012/Full_Papers/Exploring%20Japanese%20Art%20and%20Aesthetic.pdf|last = Kwan|first = Pui Ying}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Tehnika definitivno u sebe  uključuje elemente japanske wabi-sabi filozofije prihvaćanja grešaka i nesavršenosti.&amp;lt;ref&amp;gt;{{Citiranje weba|url=http://makezine.com/2015/08/17/kintsugi-japanese-art-recognizing-beauty-broken-things/|title=Kintsugi Is Recognizing Beauty in Broken Things {{!}} Make|date=2015-08-17|website=Make: DIY Projects and Ideas for Makers|access-date=2017-07-12}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;:2&amp;quot;&amp;gt;{{Citiranje weba|url = https://www.nytimes.com/2010/12/16/garden/16makedo.html?pagewanted=all&amp;amp;_r=0|title = In Make-Do Objects, Collectors Find Beauty Beyond Repair|publisher = [[New York Times]]|date = December 15, 2010|accessdate = 2014-04-05|first = Lippke|last = Andrea Codrington}}&amp;lt;/ref&amp;gt; Japanska estetika prihvaća sve znakove trošenja i uporabe nekog predmeta. Za njih lomljenje nekog predmeta ne označava i definitivan kraj njegove bilo funkcionalne bilo estetske opstojnosti i smislenosti .&amp;lt;ref&amp;gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Citiranje časopisa&lt;/ins&gt;|title = Exploring Japanese Art and Aesthetic as inspiration for emotionally durable design|url = http://www.designedasia.com/2012/Full_Papers/Exploring%20Japanese%20Art%20and%20Aesthetic.pdf|last = Kwan|first = Pui Ying}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kintsugi također može korespondirati i sa Nihongo (bez uma, iza uma) mentalnim stanjem, koje pak u sebe uključuje koncepte poput nevezanosti,prihvaćanja promjena, te sudbine kao aspekata ljudskog života.&amp;lt;ref&amp;gt;Flickwerk The Aesthetics of Mended Japanese Ceramics Paperback, January 1, 2008 by Christy, James Henry Holland and Charly Iten Bartlett&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kintsugi također može korespondirati i sa Nihongo (bez uma, iza uma) mentalnim stanjem, koje pak u sebe uključuje koncepte poput nevezanosti,prihvaćanja promjena, te sudbine kao aspekata ljudskog života.&amp;lt;ref&amp;gt;Flickwerk The Aesthetics of Mended Japanese Ceramics Paperback, January 1, 2008 by Christy, James Henry Holland and Charly Iten Bartlett&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l21&quot;&gt;Redak 21:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Redak 21:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Srodne tehnike ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Srodne tehnike ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Staple repairs.jpg|thumb|Nankinška košarica,oko 1750, spajanje  metalnim kopčama]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Staple repairs.jpg|thumb|Nankinška košarica,oko 1750, spajanje  metalnim kopčama]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Spajanje metalnim kopčama srodna je i slična tehnika korištena za popravak polomljenih keramičkih predmeta ,&amp;lt;ref&amp;gt;{{Citiranje weba|url = https://www.nytimes.com/2013/01/18/arts/design/repaired-china-the-potter-john-bennett-schoolgirl-rugs.html|title = It's as Good as Glue: Mending Shattered China|accessdate = 2014-04-05|last = Kahn|first = Eve|date = January 17, 2013|publisher = New York Times}}&amp;lt;/ref&amp;gt; ,male se  rupe  izbuše u  predmetu te  se  kroz iste  provedu  metalne kopče koje drže  dijelove predmeta  skupa.&amp;lt;ref name=&amp;quot;:0&amp;quot;&amp;gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Cite journal&lt;/del&gt;|title = Stapled Repairs on Chine; Confessions of a curious collector|date = February 2012|url = https://www.antiquesjournal.com/flipbooks/neajfeb12/index.html|publisher = Antiques Journal|accessdate = 2014-04-05|pages = 37–40}}&amp;lt;/ref&amp;gt; Ovaj je  način  spajanja korišten već u  drevnoj  Grčkoj,Engleskoj,Rusiji,te Kini i brojnim  drugim zemljamaS.&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Spajanje metalnim kopčama srodna je i slična tehnika korištena za popravak polomljenih keramičkih predmeta ,&amp;lt;ref&amp;gt;{{Citiranje weba|url = https://www.nytimes.com/2013/01/18/arts/design/repaired-china-the-potter-john-bennett-schoolgirl-rugs.html|title = It's as Good as Glue: Mending Shattered China|accessdate = 2014-04-05|last = Kahn|first = Eve|date = January 17, 2013|publisher = New York Times}}&amp;lt;/ref&amp;gt; ,male se  rupe  izbuše u  predmetu te  se  kroz iste  provedu  metalne kopče koje drže  dijelove predmeta  skupa.&amp;lt;ref name=&amp;quot;:0&amp;quot;&amp;gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Citiranje časopisa&lt;/ins&gt;|title = Stapled Repairs on Chine; Confessions of a curious collector|date = February 2012|url = https://www.antiquesjournal.com/flipbooks/neajfeb12/index.html|publisher = Antiques Journal|accessdate = 2014-04-05|pages = 37–40}}&amp;lt;/ref&amp;gt; Ovaj je  način  spajanja korišten već u  drevnoj  Grčkoj,Engleskoj,Rusiji,te Kini i brojnim  drugim zemljamaS.&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Dodatna literatura==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Dodatna literatura==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>WikiSysop</name></author>
	</entry>
	<entry>
		<id>https://croatianschoolsydney.com/index.php?title=Kintsugi&amp;diff=320440&amp;oldid=prev</id>
		<title>WikiSysop: Bot: Automatska zamjena teksta  (-{{Cite web +{{Citiranje weba)</title>
		<link rel="alternate" type="text/html" href="https://croatianschoolsydney.com/index.php?title=Kintsugi&amp;diff=320440&amp;oldid=prev"/>
		<updated>2021-11-11T12:51:26Z</updated>

		<summary type="html">&lt;p&gt;Bot: Automatska zamjena teksta  (-{{Cite web +{{Citiranje weba)&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;hr&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;←Starija inačica&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Inačica od 12:51, 11. studenoga 2021.&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot;&gt;Redak 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Redak 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Kintsugi.jpg|thumb|seoska posuda za kuhanje popravljena Kintsugi tehnikom]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Kintsugi.jpg|thumb|seoska posuda za kuhanje popravljena Kintsugi tehnikom]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Kintsugi''', poznat i kao popravak zlatom ,&amp;lt;ref&amp;gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Cite web&lt;/del&gt;|url=http://www.definition-of.com/kintsugi|title=definition of Kintsugi|last=|first=|date=|website=|publisher=|access-date=}}&amp;lt;/ref&amp;gt; jest [[japan]]sko umijeće popravljanja polomljene [[Keramika|keramike]] pomoću japanskog [[lak]]a pomiješanog sa [[Zlato|zlatnim]] prahom.&amp;lt;ref name=&amp;quot;smashing&amp;quot;&amp;gt;{{Citation | first = Blake | last = Gopnik | url = https://www.washingtonpost.com/wp-dyn/content/article/2009/03/02/AR2009030202723.html | title = At Freer, Aesthetic Is Simply Smashing | newspaper = The [[Washington Post]] | date = March 3, 2009}}.&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;seams&amp;quot;&amp;gt;{{Citation | publisher = Smithsonian | contribution-url = http://www.asia.si.edu/exhibitions/current/GoldenSeams.htm# | contribution = Golden Seams: The Japanese Art of Mending Ceramics | title = Freer Gallery of Art | accessdate = 3 March 2009|archiveurl=https://web.archive.org/web/20090317021839/http://www.asia.si.edu/exhibitions/current/GoldenSeams.htm|archivedate=2009-03-17| title-link = Freer Gallery of Art }}.&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Cite web&lt;/del&gt;|url = http://kotobank.jp/word/%E9%87%91%E7%B6%99%E3%81%8E|title = Daijisen}}&amp;lt;/ref&amp;gt; Za  razliku od u u Europi prisutnih  praksi koje teže  sakrivanju ovog  dijela  povijesti  nekog  predmeta ovaj ga  japanski postupak  pretvara u kreativni čin kojim objekt opet  može  ispunjavati svoju prije oštećenja definiranu funkciju.&amp;lt;ref&amp;gt;{{Cite news|url=http://mymodernmet.com/kintsugi-kintsukuroi/|title=Kintsugi: The Centuries-Old Art of Repairing Broken Pottery with Gold|date=2017-04-25|work=My Modern Met|access-date=2017-07-12|language=en-US}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Kintsugi''', poznat i kao popravak zlatom ,&amp;lt;ref&amp;gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Citiranje weba&lt;/ins&gt;|url=http://www.definition-of.com/kintsugi|title=definition of Kintsugi|last=|first=|date=|website=|publisher=|access-date=}}&amp;lt;/ref&amp;gt; jest [[japan]]sko umijeće popravljanja polomljene [[Keramika|keramike]] pomoću japanskog [[lak]]a pomiješanog sa [[Zlato|zlatnim]] prahom.&amp;lt;ref name=&amp;quot;smashing&amp;quot;&amp;gt;{{Citation | first = Blake | last = Gopnik | url = https://www.washingtonpost.com/wp-dyn/content/article/2009/03/02/AR2009030202723.html | title = At Freer, Aesthetic Is Simply Smashing | newspaper = The [[Washington Post]] | date = March 3, 2009}}.&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;seams&amp;quot;&amp;gt;{{Citation | publisher = Smithsonian | contribution-url = http://www.asia.si.edu/exhibitions/current/GoldenSeams.htm# | contribution = Golden Seams: The Japanese Art of Mending Ceramics | title = Freer Gallery of Art | accessdate = 3 March 2009|archiveurl=https://web.archive.org/web/20090317021839/http://www.asia.si.edu/exhibitions/current/GoldenSeams.htm|archivedate=2009-03-17| title-link = Freer Gallery of Art }}.&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Citiranje weba&lt;/ins&gt;|url = http://kotobank.jp/word/%E9%87%91%E7%B6%99%E3%81%8E|title = Daijisen}}&amp;lt;/ref&amp;gt; Za  razliku od u u Europi prisutnih  praksi koje teže  sakrivanju ovog  dijela  povijesti  nekog  predmeta ovaj ga  japanski postupak  pretvara u kreativni čin kojim objekt opet  može  ispunjavati svoju prije oštećenja definiranu funkciju.&amp;lt;ref&amp;gt;{{Cite news|url=http://mymodernmet.com/kintsugi-kintsukuroi/|title=Kintsugi: The Centuries-Old Art of Repairing Broken Pottery with Gold|date=2017-04-25|work=My Modern Met|access-date=2017-07-12|language=en-US}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Porijeklo ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Porijeklo ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''Kintsugi'' je postao usko vezan uz posude korištene za japansku [[čaj]]nu ceremoniju.&amp;lt;ref name=&amp;quot;seams&amp;quot; /&amp;gt; Po jednoj od teorija tehniku je smislio japanski šogun [[Ashikaga Yoshimasa]], kada je krajem 15. stoljeća u Kinu poslao na popravak svoju oštećenu čajnu šalicu.&amp;lt;ref&amp;gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Cite web&lt;/del&gt;|url = https://www.washingtonpost.com/wp-dyn/content/article/2009/03/02/AR2009030202723.html|title = 'Golden Seams: The Japanese Art of Mending Ceramics' at Freer|website = [[The Washington Post]]|last = Gopnik|first = Blake|date = March 3, 2009}}&amp;lt;/ref&amp;gt; Šalica se iz Kine vratila popravljena pomoću ružnih metalnih spajalica,što je  pak  japanske  obrtnike potaklo da smisle kreativniji i ljepši način popravka ovakovih predmeta.Sakupljači čajnih posuda bili su toliko očarani tehnikom da su neki od njih sumnjičeni da su namjerno razbijali svoje posude kako bi bile popravljen ovom tehnikom'.&amp;lt;ref name=&amp;quot;smashing&amp;quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''Kintsugi'' je postao usko vezan uz posude korištene za japansku [[čaj]]nu ceremoniju.&amp;lt;ref name=&amp;quot;seams&amp;quot; /&amp;gt; Po jednoj od teorija tehniku je smislio japanski šogun [[Ashikaga Yoshimasa]], kada je krajem 15. stoljeća u Kinu poslao na popravak svoju oštećenu čajnu šalicu.&amp;lt;ref&amp;gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Citiranje weba&lt;/ins&gt;|url = https://www.washingtonpost.com/wp-dyn/content/article/2009/03/02/AR2009030202723.html|title = 'Golden Seams: The Japanese Art of Mending Ceramics' at Freer|website = [[The Washington Post]]|last = Gopnik|first = Blake|date = March 3, 2009}}&amp;lt;/ref&amp;gt; Šalica se iz Kine vratila popravljena pomoću ružnih metalnih spajalica,što je  pak  japanske  obrtnike potaklo da smisle kreativniji i ljepši način popravka ovakovih predmeta.Sakupljači čajnih posuda bili su toliko očarani tehnikom da su neki od njih sumnjičeni da su namjerno razbijali svoje posude kako bi bile popravljen ovom tehnikom'.&amp;lt;ref name=&amp;quot;smashing&amp;quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filozofija iza tehnike ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filozofija iza tehnike ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Tehnika definitivno u sebe  uključuje elemente japanske wabi-sabi filozofije prihvaćanja grešaka i nesavršenosti.&amp;lt;ref&amp;gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Cite web&lt;/del&gt;|url=http://makezine.com/2015/08/17/kintsugi-japanese-art-recognizing-beauty-broken-things/|title=Kintsugi Is Recognizing Beauty in Broken Things {{!}} Make|date=2015-08-17|website=Make: DIY Projects and Ideas for Makers|access-date=2017-07-12}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;:2&amp;quot;&amp;gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Cite web&lt;/del&gt;|url = https://www.nytimes.com/2010/12/16/garden/16makedo.html?pagewanted=all&amp;amp;_r=0|title = In Make-Do Objects, Collectors Find Beauty Beyond Repair|publisher = [[New York Times]]|date = December 15, 2010|accessdate = 2014-04-05|first = Lippke|last = Andrea Codrington}}&amp;lt;/ref&amp;gt; Japanska estetika prihvaća sve znakove trošenja i uporabe nekog predmeta. Za njih lomljenje nekog predmeta ne označava i definitivan kraj njegove bilo funkcionalne bilo estetske opstojnosti i smislenosti .&amp;lt;ref&amp;gt;{{Cite journal|title = Exploring Japanese Art and Aesthetic as inspiration for emotionally durable design|url = http://www.designedasia.com/2012/Full_Papers/Exploring%20Japanese%20Art%20and%20Aesthetic.pdf|last = Kwan|first = Pui Ying}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Tehnika definitivno u sebe  uključuje elemente japanske wabi-sabi filozofije prihvaćanja grešaka i nesavršenosti.&amp;lt;ref&amp;gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Citiranje weba&lt;/ins&gt;|url=http://makezine.com/2015/08/17/kintsugi-japanese-art-recognizing-beauty-broken-things/|title=Kintsugi Is Recognizing Beauty in Broken Things {{!}} Make|date=2015-08-17|website=Make: DIY Projects and Ideas for Makers|access-date=2017-07-12}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;:2&amp;quot;&amp;gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Citiranje weba&lt;/ins&gt;|url = https://www.nytimes.com/2010/12/16/garden/16makedo.html?pagewanted=all&amp;amp;_r=0|title = In Make-Do Objects, Collectors Find Beauty Beyond Repair|publisher = [[New York Times]]|date = December 15, 2010|accessdate = 2014-04-05|first = Lippke|last = Andrea Codrington}}&amp;lt;/ref&amp;gt; Japanska estetika prihvaća sve znakove trošenja i uporabe nekog predmeta. Za njih lomljenje nekog predmeta ne označava i definitivan kraj njegove bilo funkcionalne bilo estetske opstojnosti i smislenosti .&amp;lt;ref&amp;gt;{{Cite journal|title = Exploring Japanese Art and Aesthetic as inspiration for emotionally durable design|url = http://www.designedasia.com/2012/Full_Papers/Exploring%20Japanese%20Art%20and%20Aesthetic.pdf|last = Kwan|first = Pui Ying}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kintsugi također može korespondirati i sa Nihongo (bez uma, iza uma) mentalnim stanjem, koje pak u sebe uključuje koncepte poput nevezanosti,prihvaćanja promjena, te sudbine kao aspekata ljudskog života.&amp;lt;ref&amp;gt;Flickwerk The Aesthetics of Mended Japanese Ceramics Paperback, January 1, 2008 by Christy, James Henry Holland and Charly Iten Bartlett&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kintsugi također može korespondirati i sa Nihongo (bez uma, iza uma) mentalnim stanjem, koje pak u sebe uključuje koncepte poput nevezanosti,prihvaćanja promjena, te sudbine kao aspekata ljudskog života.&amp;lt;ref&amp;gt;Flickwerk The Aesthetics of Mended Japanese Ceramics Paperback, January 1, 2008 by Christy, James Henry Holland and Charly Iten Bartlett&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l18&quot;&gt;Redak 18:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Redak 18:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* prvi,koristi zlatnu prašinu i orijentalni lak kako bi se spojilo dijelove predmeta, uz minimalno zapunjavanje i rekonstruiranje nedostajućih dijelova&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* prvi,koristi zlatnu prašinu i orijentalni lak kako bi se spojilo dijelove predmeta, uz minimalno zapunjavanje i rekonstruiranje nedostajućih dijelova&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* drugi, gdje  neki od dijelova  predmeta  više ne  postoje ili su izgubljeni, pa se i njih rekonstruira u smjesi laka i  zlatnog praha&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* drugi, gdje  neki od dijelova  predmeta  više ne  postoje ili su izgubljeni, pa se i njih rekonstruira u smjesi laka i  zlatnog praha&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* treći,  gdje  se  umjesto nedostajućih dijelova koriste slično ali ne  egzaktno jednako oblikovane zakrpe&amp;lt;ref&amp;gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Cite web&lt;/del&gt;|url = http://matome.naver.jp/odai/2136989780569618901|title = Gold joint (mending gold) What is it?|accessdate = 2014-04-02|date = 2013-05-04|language = Japanese}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* treći,  gdje  se  umjesto nedostajućih dijelova koriste slično ali ne  egzaktno jednako oblikovane zakrpe&amp;lt;ref&amp;gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Citiranje weba&lt;/ins&gt;|url = http://matome.naver.jp/odai/2136989780569618901|title = Gold joint (mending gold) What is it?|accessdate = 2014-04-02|date = 2013-05-04|language = Japanese}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Srodne tehnike ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Srodne tehnike ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Staple repairs.jpg|thumb|Nankinška košarica,oko 1750, spajanje  metalnim kopčama]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Staple repairs.jpg|thumb|Nankinška košarica,oko 1750, spajanje  metalnim kopčama]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Spajanje metalnim kopčama srodna je i slična tehnika korištena za popravak polomljenih keramičkih predmeta ,&amp;lt;ref&amp;gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Cite web&lt;/del&gt;|url = https://www.nytimes.com/2013/01/18/arts/design/repaired-china-the-potter-john-bennett-schoolgirl-rugs.html|title = It's as Good as Glue: Mending Shattered China|accessdate = 2014-04-05|last = Kahn|first = Eve|date = January 17, 2013|publisher = New York Times}}&amp;lt;/ref&amp;gt; ,male se  rupe  izbuše u  predmetu te  se  kroz iste  provedu  metalne kopče koje drže  dijelove predmeta  skupa.&amp;lt;ref name=&amp;quot;:0&amp;quot;&amp;gt;{{Cite journal|title = Stapled Repairs on Chine; Confessions of a curious collector|date = February 2012|url = https://www.antiquesjournal.com/flipbooks/neajfeb12/index.html|publisher = Antiques Journal|accessdate = 2014-04-05|pages = 37–40}}&amp;lt;/ref&amp;gt; Ovaj je  način  spajanja korišten već u  drevnoj  Grčkoj,Engleskoj,Rusiji,te Kini i brojnim  drugim zemljamaS.&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Spajanje metalnim kopčama srodna je i slična tehnika korištena za popravak polomljenih keramičkih predmeta ,&amp;lt;ref&amp;gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Citiranje weba&lt;/ins&gt;|url = https://www.nytimes.com/2013/01/18/arts/design/repaired-china-the-potter-john-bennett-schoolgirl-rugs.html|title = It's as Good as Glue: Mending Shattered China|accessdate = 2014-04-05|last = Kahn|first = Eve|date = January 17, 2013|publisher = New York Times}}&amp;lt;/ref&amp;gt; ,male se  rupe  izbuše u  predmetu te  se  kroz iste  provedu  metalne kopče koje drže  dijelove predmeta  skupa.&amp;lt;ref name=&amp;quot;:0&amp;quot;&amp;gt;{{Cite journal|title = Stapled Repairs on Chine; Confessions of a curious collector|date = February 2012|url = https://www.antiquesjournal.com/flipbooks/neajfeb12/index.html|publisher = Antiques Journal|accessdate = 2014-04-05|pages = 37–40}}&amp;lt;/ref&amp;gt; Ovaj je  način  spajanja korišten već u  drevnoj  Grčkoj,Engleskoj,Rusiji,te Kini i brojnim  drugim zemljamaS.&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Dodatna literatura==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Dodatna literatura==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>WikiSysop</name></author>
	</entry>
	<entry>
		<id>https://croatianschoolsydney.com/index.php?title=Kintsugi&amp;diff=292663&amp;oldid=prev</id>
		<title>WikiSysop: Bot: Automatski unos stranica</title>
		<link rel="alternate" type="text/html" href="https://croatianschoolsydney.com/index.php?title=Kintsugi&amp;diff=292663&amp;oldid=prev"/>
		<updated>2021-11-04T08:32:44Z</updated>

		<summary type="html">&lt;p&gt;Bot: Automatski unos stranica&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Nova stranica&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;!--'''Kintsugi'''--&amp;gt;[[File:Tea bowl, Korea, Joseon dynasty, 16th century AD, Mishima-hakeme type, buncheong ware, stoneware with white engobe and translucent, greenish-gray glaze, gold lacquer - Ethnological Museum, Berlin - DSC02061.JPG|thumb|Poravak na čajnoj posudi Mishima,  ''kintsugi'' zlatni lak, 16t. stoljeće,etnološki muzej Berlin]]&lt;br /&gt;
[[File:Dish with hollyhock design, Nabeshima ware, Edo period, 18th century, overglaze enamel - Tokyo National Museum - DSC06022.JPG|thumb|Malena  reparatura na Nageshima tanjuriću, 18. stoljeće, [[Edo period]] ([[Tokyo National Museum]])|alt=]]&lt;br /&gt;
[[File:Kintsugi.jpg|thumb|seoska posuda za kuhanje popravljena Kintsugi tehnikom]]&lt;br /&gt;
&lt;br /&gt;
'''Kintsugi''', poznat i kao popravak zlatom ,&amp;lt;ref&amp;gt;{{Cite web|url=http://www.definition-of.com/kintsugi|title=definition of Kintsugi|last=|first=|date=|website=|publisher=|access-date=}}&amp;lt;/ref&amp;gt; jest [[japan]]sko umijeće popravljanja polomljene [[Keramika|keramike]] pomoću japanskog [[lak]]a pomiješanog sa [[Zlato|zlatnim]] prahom.&amp;lt;ref name=&amp;quot;smashing&amp;quot;&amp;gt;{{Citation | first = Blake | last = Gopnik | url = https://www.washingtonpost.com/wp-dyn/content/article/2009/03/02/AR2009030202723.html | title = At Freer, Aesthetic Is Simply Smashing | newspaper = The [[Washington Post]] | date = March 3, 2009}}.&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;seams&amp;quot;&amp;gt;{{Citation | publisher = Smithsonian | contribution-url = http://www.asia.si.edu/exhibitions/current/GoldenSeams.htm# | contribution = Golden Seams: The Japanese Art of Mending Ceramics | title = Freer Gallery of Art | accessdate = 3 March 2009|archiveurl=https://web.archive.org/web/20090317021839/http://www.asia.si.edu/exhibitions/current/GoldenSeams.htm|archivedate=2009-03-17| title-link = Freer Gallery of Art }}.&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web|url = http://kotobank.jp/word/%E9%87%91%E7%B6%99%E3%81%8E|title = Daijisen}}&amp;lt;/ref&amp;gt; Za  razliku od u u Europi prisutnih  praksi koje teže  sakrivanju ovog  dijela  povijesti  nekog  predmeta ovaj ga  japanski postupak  pretvara u kreativni čin kojim objekt opet  može  ispunjavati svoju prije oštećenja definiranu funkciju.&amp;lt;ref&amp;gt;{{Cite news|url=http://mymodernmet.com/kintsugi-kintsukuroi/|title=Kintsugi: The Centuries-Old Art of Repairing Broken Pottery with Gold|date=2017-04-25|work=My Modern Met|access-date=2017-07-12|language=en-US}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Porijeklo ==&lt;br /&gt;
&lt;br /&gt;
''Kintsugi'' je postao usko vezan uz posude korištene za japansku [[čaj]]nu ceremoniju.&amp;lt;ref name=&amp;quot;seams&amp;quot; /&amp;gt; Po jednoj od teorija tehniku je smislio japanski šogun [[Ashikaga Yoshimasa]], kada je krajem 15. stoljeća u Kinu poslao na popravak svoju oštećenu čajnu šalicu.&amp;lt;ref&amp;gt;{{Cite web|url = https://www.washingtonpost.com/wp-dyn/content/article/2009/03/02/AR2009030202723.html|title = 'Golden Seams: The Japanese Art of Mending Ceramics' at Freer|website = [[The Washington Post]]|last = Gopnik|first = Blake|date = March 3, 2009}}&amp;lt;/ref&amp;gt; Šalica se iz Kine vratila popravljena pomoću ružnih metalnih spajalica,što je  pak  japanske  obrtnike potaklo da smisle kreativniji i ljepši način popravka ovakovih predmeta.Sakupljači čajnih posuda bili su toliko očarani tehnikom da su neki od njih sumnjičeni da su namjerno razbijali svoje posude kako bi bile popravljen ovom tehnikom'.&amp;lt;ref name=&amp;quot;smashing&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Filozofija iza tehnike ==&lt;br /&gt;
Tehnika definitivno u sebe  uključuje elemente japanske wabi-sabi filozofije prihvaćanja grešaka i nesavršenosti.&amp;lt;ref&amp;gt;{{Cite web|url=http://makezine.com/2015/08/17/kintsugi-japanese-art-recognizing-beauty-broken-things/|title=Kintsugi Is Recognizing Beauty in Broken Things {{!}} Make|date=2015-08-17|website=Make: DIY Projects and Ideas for Makers|access-date=2017-07-12}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;:2&amp;quot;&amp;gt;{{Cite web|url = https://www.nytimes.com/2010/12/16/garden/16makedo.html?pagewanted=all&amp;amp;_r=0|title = In Make-Do Objects, Collectors Find Beauty Beyond Repair|publisher = [[New York Times]]|date = December 15, 2010|accessdate = 2014-04-05|first = Lippke|last = Andrea Codrington}}&amp;lt;/ref&amp;gt; Japanska estetika prihvaća sve znakove trošenja i uporabe nekog predmeta. Za njih lomljenje nekog predmeta ne označava i definitivan kraj njegove bilo funkcionalne bilo estetske opstojnosti i smislenosti .&amp;lt;ref&amp;gt;{{Cite journal|title = Exploring Japanese Art and Aesthetic as inspiration for emotionally durable design|url = http://www.designedasia.com/2012/Full_Papers/Exploring%20Japanese%20Art%20and%20Aesthetic.pdf|last = Kwan|first = Pui Ying}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Kintsugi također može korespondirati i sa Nihongo (bez uma, iza uma) mentalnim stanjem, koje pak u sebe uključuje koncepte poput nevezanosti,prihvaćanja promjena, te sudbine kao aspekata ljudskog života.&amp;lt;ref&amp;gt;Flickwerk The Aesthetics of Mended Japanese Ceramics Paperback, January 1, 2008 by Christy, James Henry Holland and Charly Iten Bartlett&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Tipovi spajanja ==&lt;br /&gt;
nekoliko je  vodećih načina kintsugija:&lt;br /&gt;
* prvi,koristi zlatnu prašinu i orijentalni lak kako bi se spojilo dijelove predmeta, uz minimalno zapunjavanje i rekonstruiranje nedostajućih dijelova&lt;br /&gt;
* drugi, gdje  neki od dijelova  predmeta  više ne  postoje ili su izgubljeni, pa se i njih rekonstruira u smjesi laka i  zlatnog praha&lt;br /&gt;
* treći,  gdje  se  umjesto nedostajućih dijelova koriste slično ali ne  egzaktno jednako oblikovane zakrpe&amp;lt;ref&amp;gt;{{Cite web|url = http://matome.naver.jp/odai/2136989780569618901|title = Gold joint (mending gold) What is it?|accessdate = 2014-04-02|date = 2013-05-04|language = Japanese}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
== Srodne tehnike ==&lt;br /&gt;
[[File:Staple repairs.jpg|thumb|Nankinška košarica,oko 1750, spajanje  metalnim kopčama]]&lt;br /&gt;
Spajanje metalnim kopčama srodna je i slična tehnika korištena za popravak polomljenih keramičkih predmeta ,&amp;lt;ref&amp;gt;{{Cite web|url = https://www.nytimes.com/2013/01/18/arts/design/repaired-china-the-potter-john-bennett-schoolgirl-rugs.html|title = It's as Good as Glue: Mending Shattered China|accessdate = 2014-04-05|last = Kahn|first = Eve|date = January 17, 2013|publisher = New York Times}}&amp;lt;/ref&amp;gt; ,male se  rupe  izbuše u  predmetu te  se  kroz iste  provedu  metalne kopče koje drže  dijelove predmeta  skupa.&amp;lt;ref name=&amp;quot;:0&amp;quot;&amp;gt;{{Cite journal|title = Stapled Repairs on Chine; Confessions of a curious collector|date = February 2012|url = https://www.antiquesjournal.com/flipbooks/neajfeb12/index.html|publisher = Antiques Journal|accessdate = 2014-04-05|pages = 37–40}}&amp;lt;/ref&amp;gt; Ovaj je  način  spajanja korišten već u  drevnoj  Grčkoj,Engleskoj,Rusiji,te Kini i brojnim  drugim zemljamaS.&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Dodatna literatura==&lt;br /&gt;
Christy, J.; Holland, H.; Bartlett, C.I. (2008). Flickwerk: The Aesthetics of Mended Japanese Ceramics. Cornell University, Herbert Johnson Museum of Art. ASIN B009F3YENM.&lt;br /&gt;
&lt;br /&gt;
Stefan Drescher: kintsugi Technik – kintsugi Technique, 2. izdanje –  na  njemačkom i engleskom, 2014, Korest Restaurierungsbedarf, {{ISBN|978-3-00-045016-7}}.&lt;br /&gt;
&lt;br /&gt;
Céline Santini, Kintsugi- L'arte segreta di riparare la vita, Rizzoli, 2018.&lt;br /&gt;
&lt;br /&gt;
==Vanjske poveznice==&lt;br /&gt;
==Izvori==&lt;br /&gt;
&lt;br /&gt;
[[Kategorija:Konzervacija]]&lt;/div&gt;</summary>
		<author><name>WikiSysop</name></author>
	</entry>
</feed>